Spooky Books for Strange Children

Gruesome Gateways to New Horrors!

2011-08-24T22:30:00.000-07:00

The Gruesome Book edited by Ramsey Campbell London: Piccolo Books, 1983

I remember discovering Ramsey Campbell's work when I was in the sixth grade. He was mentioned a lot by Stephen King, and his name popped up frequently in paperback horror anthologies with lurid covers. While not what I would call a brand-name (especially in the U.S.) the Liverpool-born Campbell has been writing tales of horror since the early sixties with dozens of novels and over a hundred short stories to his name. The Gruesome Book (1983) is an anthology edited by Campbell with the intention of scaring the hell out of younger readers.

CONTENTS:

Calling Card - Ramsey Campbell

The Pond - Nigel Kneale

The Extra Passenger - August Derleth

Hobo - Robert Bloch

Bones - Donald A Wollheim

The Deep-Sea Conch - Brian Lumley

Long Distance Call - Richard Matheson

The Graveyard Rats - Henry Kuttner

3:47 AM - David Langford

In the introduction, Campbell states that the scary story collections he read at the age of eight "wouldn't have scared a neurotic three-year-old." He found child-oriented chillers to be weak and decided to compile his own primer for the younger reader of the macabre. Campbell chose a mixed bag of genre authors for this collection. Some of the bigger names are here (Derleth, Campbell, Bloch, Matheson, and Lumley) combined with those more obscure to the casual reader (Kuttner, Kneale, Lanford). Not all of these stories reach the level of mastery some of these authors are known for, but there are a few horrific entries that prove effective. I will focus on my favorites of the bunch.

Gradually, as he stood he became aware of a smell. It was wholly unpleasant. Seemingly it came from the weed, yet mixed with the vegetable odor was one of another kind of decay. A soft, oozy bubbling accompanied it. Gases must be rising from the mud at the bottom. It would not do to stay in this place and risk his health. -- Nigel Kneale, The Pond

Nigel Kneale wrote the screenplays for The Quatermass Experiment (1953), a popular television serial for the BBC that featured horrors from outer space and creeping paranoia on earth. The successful series spawned some feature-length adaptions from Hammer Film Productions, and opened the doors for a new era of science fiction TV programming in the UK.

Kneale's contribution is "The Pond." The story is a basic cautionary tale against animal abuse, charged with a gruesome supernatural revenge at the end. An evil old man is fond of capturing toads, boiling them alive in a pot, and making taxidermy dioramas with their remains. Having terminated most of the toad population of his favorite pond, he considers looking for a new locale. Taking advantage of the old man's gluttony, a supernatural force guides him to the glowing pond one night with the promise of more victims, only to give him an excruciating taste of his own medicine. The ending is clever and echoes the dark humor of Tales from the Crypt and other horror comic titles of the 1950s.

The boxcar wasn't empty...Sprawling against the opposite side of the wall was the man. He sat there nonchalantly, staring at Hannigan--and he'd been sitting there and staring the whole time. The farther reaches of the car were in total darkness, but the man was just close enough to the opposite door so that flashed of light illuminated his features in passing. --Robert Bloch, Hobo

Robert Bloch was known for writing Psycho (although his contribution to fantastic literature was immense), and his penchant for lurking knife-wielders is shown in "Hobo." Eager to leave town, Hannigan, a down-on-his-luck drifter hops a train that he hopes will deliver him from his troubles. The main trouble being a lone killer who has been fatally stabbing members of the homeless community. Hannigan finds another man in his boxcar whom he judges to be a kindred traveler. Unfortunately for him, trust in strangers yields gruesome results. Bloch employs his "less-is-more" style of terror effectively here, having the main character do all the talking while the unknown man remains ominously silent.

A rat was approaching -- the monster he had already glimpsed. Grey and leprous and hideous it crept forward with its orange teeth bared, and in its wake came the blind dead thing, groaning as it crawled. -- Henry Kuttner, Graveyard of Rats

A friend of H.P. Lovecraft, Henry Kuttner was an avid contributor to the pulp magazine Weird Tales in the 1930s. "Graveyard of Rats" was his first published work, and considered by Campbell to be his scariest. I would have to agree. Although there are some strong thematic similarities to Lovecraft (New England setting, sinister rats, ancient cults), Kuttner's story packs a punch like the best of 1930s pulp fiction and moves at a pace that should appeal to younger readers.

The plot focuses on Masson, the bitter, old caretaker of a cemetery in Salem, MA. He moonlights as a grave-robber, stripping corpses of their valuables before burying them in cheap coffins. Consequently, the rat population nearby has also taken an interest in the cemetery, dragging dead bodies into underground tunnels to eat them. This cramps Masson's style, not only are the rats stealing his merchandise (gold teeth fillings are valuable!) but they make him look like a lazy employee. In addition, he hates the locals, who fear the rats and might be worshiping evil entities that put Salem on the map. Everything comes to a head, when the rats steal a body that had some expensive cuff-links and Masson decides to follow them into their domain. This proves to be a terrible mistake, and he meets horrors beyond rodent infestation.

The cover art and illustrations for this book were provided by Ivan Lapper, and more than live up to the title. Worm-eaten skulls, rotting undead creatures, and all sorts of horrific images adorn this book. Not for the easily repulsed, Lapper's work here is graphic and definitely more in line with the the artwork found on scores of 1980s adult horror paperbacks than anything geared towards a younger audience. Likewise, the illustrations definitely compliment the stories and present this book as something infinitely scarier than most anthologies targeted at youth audiences.

Ultimately, this is one of those books that I think would appeal to the younger YA crowd who are ready to step from the Christopher Pike / John Bellairs level of scary fiction to the more adult arena of authors like H.P. Lovecraft, or Stephen King. The best stories here provide gruesome shocks, alternating between chilling horror and pitch-black humor. This collection gives a decent introduction to obscure authors for the curious reader, although finding a copy of this book might prove equally challenging.

On a side note, I find it interesting that visceral horror fiction in the early eighties seemed like something a young reader would have to really seek out, depending on anthologies like this one to discover new gems. This is quite a contrast to the recent upsurge in mainstream popularity of vampires and zombies in current fiction geared towards a YA (and sometimes younger) audience. I would like to write about this phenomenon in more detail at a later date, although I am curious what readers of this blog might think.

Spooky Joy

2011-06-09T06:07:00.000-07:00

After an unforeseen dry spell, I am happy to say there is fruitful reading and reviewing in my near future. One of my first reviews for Spooky Books for Strange Children was a supernatural mystery by Melissa Strangway called 56 Water Street. Recently, Ms. Strangway provided me with some great motivation to get back to reviewing scary books for younger readers. After stumbling upon my review for 56 Water Street, she contacted me through my personal blog and offered me a free copy of the next book in the Ravine and Derek series, Abigail's Mirror. After a few friendly comments back and forth she e-mailed me and I just sent her my address so she can send me the review copy. All I have to do is review the book and post it here! I must say it is quite satisfying to see people appreciate the mission of Spooky Books for Strange Children and it gives me an incredible sense of purpose to be more diligent in keeping the postings fresh. Stay tuned for some new reviews soon.

Here, Child, Finish Your Nothing

2011-02-25T07:39:00.000-08:00

Mirror
by Suzy Lee
New York : Seven Footer Kids, 2003

Mirror, by Suzy Lee, is a very simple, elegant wordless book that, if read properly, will trigger an existential crisis (or philosophical breakthrough) in readers of any age. If your child is too young for Sartre, but old enough to feel the burden of consequence and self-determination, then this is the perfect introduction to instill that lasting sense of angst, guilt and self-doubt.

Despite the austerity of the artwork, there is whimsy in its pages, but by the last page, all such feelings of merriment are dashed. The cover encapsulates this dynamic perfectly; the girl, facing away from her reflection, may have a hint of a smile on her lips, but it never quite reaches her eyes. There is a sense that she is disconnected from herself, perhaps dissatisfied with the stark world in which she has been drawn, even as she plays with her own medium. Of course, this could all be projection...

"We do not know what we want and yet we are responsible for what we are..."

One of the most interesting things about this book is the way the book itself is part of the unspoken narrative. The "mirror" is actually the crease between pages. It is no simple mirror, however, as the girl is not simple reflected in its pages. At one point, the girl mischievously moves into the crease, emerging with her reflection facing in the same direction she is. Of course, we all know what generally happens when little girls walk into mirrors.

"If you are lonely when you're alone, you are in bad company."

In its way, the artwork in Mirror is sweet, and the girl's interactions with her own reflection are the product of playful innocence. Don't be fooled, though. In the last few pages, the girl becomes annoyed with her reflected self, and in a fit manages to push her other, knocking down the mirror (Lee's work here is brilliant, by the way) and shattering it. Spoiler alert: the last page consists of the little girl curled in on herself, and you can almost hear her sobbing into her arms. It came as a shock, I have to admit; though we review horror for children, I have rarely seen a story for kids with such an unrelentingly depressing ending. I have to say, I respect it.

So, if you're ready to crush your child's innocence, or they're already showing a predilection for German expressionism and long-sleeve black turtlenecks, this is a great book. Just know what your child may grow into:

"We are our choices."

Tweaking and Sociopathy for Kids

2011-02-11T07:07:00.000-08:00

Little Tricker the Squirrel Meets Big Double the Bear

by Ken Kesey

New York, NY: Viking, 1990.

Finding this book on the shelf at the library was an experience all its own. Take a good look at that cover. Really look at it. Imagine seeing only the top half of it. Those eyes. Those horrible, all-too-human eyes! Those are not the eyes of one of Goldilocks' three bears. Those bears do not hate like this bear hates. This is a stone cold killer, waiting for you to let down your guard. This will not end happily!

Then, after pulling the book off the shelf (the eyes compelled you to), you see the name of the author; yes, yes it is that Ken Kesey. The only person who could write a children's book this bizarre. You know, the same Ken Kesey who wrote One Flew Over the Cuckoo's Nest, and drives around in a real life "Magic School Bus":

"Navigate a nostril... spank a plankton too!"

The inside of the book is every bit as crazy and horrifying as the cover advertises. The bear on the cover is the titular Big Double, a monstrous brute who wanders through the woodland equivalent of a trailer park, eating every one of the creatures he meets, all of whom appear to be destitute and possibly addicted to drugs (at least, that is the effect of Barry Moser's illustrations). Each resident Big Double meets tries to escape him by a challenge of abilities, which the bear matches just before eating them whole. Big Double, by the by, bears a passing resemblance to another famous Ken Kesey character.

Note the Cap...

The protagonist of this story is Little Tricker the squirrel, whose primary redeeming feature is his ability to make a fool out of Big Double. Tricker only seems to have two main motivations: laziness and hunger. Until his meeting with Big Double, his only real struggle is between warring impulses to go get food to store for the winter, or to take a nap. Mostly, the nap wins. Incidentally, Tricker looks very much like he could be on meth-amphetamines, which makes him just about the most realistically depicted squirrel in all of children's literature.

As promised, the story ends awfully. In order to escape, Little Tricker lives up to his name, and tricks Big Double into leaping over the side of a wooded hill, where he then "splatters on the hillside like a thumping ripe melon". Certainly, this book is not meant to be read aloud to kids, right? Except that, like The Talking Eggs, Little Tricker is best enjoyed for its rich and highly accented language, which can only be really appreciated when it's performed.

With all that in mind, I would highly recommend this book for anyone looking to read a good modern variation on the classic trope of little people fending off scary animals. The language is violent in a way that few childrens' stories are, and it takes a certain amount of judgement to decide what the appropriate age is. Take heart, however, because with that glaring cover, it's unlikely any child is going to pick this book up unless they are comfortable with Big Double's gaze in the first place. For that alone, they should be congratulated (and probably feared just a little).

Scary Stories Curing Stage Fright?

2010-11-23T14:29:00.000-08:00

Scary Readers Theatre
by Suzanne I. Barchers
Libraries Unlimited, 1994

In my days as a children’s librarian and as mentor to early readers I started to come across articles and happen into conversations about Reader’s Theatre. While I’ve heard of the concept before as another mode for actors to express themselves, blocking and performing with scripts instead of memorizing lines, I hadn’t known much about it as a device for education. Looking through listservs I started to see more and more use of reader’s theatre as a way for children to practice reading aloud in a nonthreatening, fun way. Not only that, the concept helps foster reading comprehension, as oftentimes children are given the freedom to take an existing story and adapt it to suit their interpretation or interests. Exercises such as this can help develop strong narrative skills. I think this type of set up can do wonders for the reluctant reader, those wishing to enhance their writing skills (through adapting a story), as well as the shy public speaker. Without the threat of forgetting lines, with encouragement from teachers and librarians, and with plenty of opportunities to practice, get creative, and to explore, I think Reader's Theatre is a positive way to promote literacy among youth.

This being a scary books blog I just had to find out if there were books out there, with an odd or spooky twist, that followed the principles of reader’s theatre. I was looking to see if there was a book that was suitable for school age children and one that gave them opportunities for freedom of expression through writing, creating/adapting scripts, dramatic expression, etc. I couldn’t find anything at my local library but through my university library I found an electronic resource for Scary Readers Theatre by Suzanne I. Barchers. I was stoked to find a scary book that was specifically designed for a reader’s theatre project. This book provided scripted adaptations of 30 popular scary stories, myths, multinational folktales, and urban legends. Due to the methodical nature of the scripts, sometimes the stories seemed a bit dry and unappealing. Hopefully, in such instances, this is where a child could unleash their creativity to save the story by employing an interesting vocal tactic or modifying the flow of the text. This book employed a rating system of scary, scarier, and scariest and it seemed to have a good mix of stories on all levels for elementary and middle school age children. I think this book was a good first find for a reader’s theater piece, especially since it takes away the pressure of script adaptation. In that sense, the work is already done for you. This book is a great start, but I hope there is more out there. If not, we need to make some! These types of books are great to help encourage literacy, with a spooky bent, in schools, libraries, and after-school programs.

A Nice Spot of Ink to Cure What Ails You

2010-10-27T09:15:00.001-07:00

The Ink Drinker

by Eric Sanvoisen
Illustrated by Martin Matje
Random House Books for Young Readers, 2002

As I’m sure you’ve noticed, the blog has been inactive since summertime. While we all truly love this blog, it is a labor of love that sometimes has to take the backseat to other calls of duty, be they work, school, fighting the zombie invasion, etc. That being said, I just couldn’t let October slip by without a post or two. If there was ever a time for some spooky reading, it has to be October. Here is my first selection to kick off some reading before Halloween!

One thing that I often struggled with when I was working as a Children’s Librarian was getting the reluctant reader to embrace reading. How do you motivate a child that says to you they simply don’t like reading?

After many creative strategies, I think suggesting this book could be another welcome tactic. The Ink Drinker by Eric Sanvoisen is an early chapter book suitable for 8-10 year olds. The tale, originally published in France, is mildly horrible, more bizarre than scary, so it is palatable to a wide audience from those who love vampire tales to those who love silly stories and/or strangeness.

The book begins with a simple and cruel irony. A boy who despises books with a book loving father finds himself stuck in his father’s book shop for the summer. The pain, the sorrow, the agony of being forced to work in a bookstore all summer is more than our protagonist can stand. To pass the time he hides in the shop, daydreams, and people watches. One day he notices a very odd customer. The customer, a pale stranger, practically floating (is he floating?) delicately carries a straw and slips it between the pages of books and slurps. The boy’s horrified gasp causes the stranger to flee. Upon inspection of the volume the stranger held the boy notices that all the pages have been wiped (drank?) clean of any ink, except just a letter or two. Shocked, yet painfully curious, the boy rushes after the stranger into the cemetery where he discovers Draculink, the ink drinking vampire. As the book unfolds the boy finds himself on a journey to explain the mysterious nature of ink drinking. When his father catches him drinking ink the reader realizes just how first-hand the boy’s journey has become.

The quick narrative, the accompanying illustrations, and the elegant strangeness of this tale prove to be strong temptations that would hook any reader. In addition to being a great standalone book, I was happy to learn this title is the first in a full Ink Drinker series. Hopefully this quirky vampire tale can get you in the Halloween spirit. Stay tuned for more upcoming posts!

Social Ghost

2010-07-23T10:14:00.001-07:00

The Space Between Trees
by Katie Williams
Chronicle Books
2010

The Space Between Trees by Katie Williams follows the story of a quiet, quirky loner. Evie, a girl raised by her divorced mother, is sixteen with a paper route and every bit the lonely outcast. Awkward in school, not fitting in, she hovers on the periphery observing and fantasizing desired interactions. Her crush, college guy Jonah, seems to be her only source of social hope.

The day that Evie does her paper route near the woods is the same day that Jonah does his job, which is collecting animal carcasses in the woods for animal control. One delivery day Evie is in the wrong place at the wrong time when Jonah discovers a human body in the woods. In a cruel twist, the murdered girl ends up to be Evie’s childhood friend, Elizabeth. It’s a lonely world when not your only friend, but your only former friend, is pulled lifeless from the woods. At the funeral, when Evie lies about the depth of her friendship with Elizabeth, she sets the stage for a very complex dynamic between her, Elizabeth’s father and Elizabeth’s best friend, Hadley. In a strange courtship, Hadley and Evie join forces to discover who the killer is. In a blend of lies, teenage escapades, and frazzled emotions Evie sinks deeper into an increasingly dangerous situation. The story slowly builds to a violent climax, causing Evie to realize what she was after all along.

As it happens, I had very high hopes for this book. The jacket reads like a thrilling murder mystery with an unlikely cast of characters. The book design is a stunning piece of die-cut craftsmanship, very elegant and haunting. The title was intriguing to me, the lonely clearing among massive, strong beings. This space between trees is the growing void of loneliness, isolation, and rejection inside a there-but-never-seen young girl. Evie’s stories, her thoughts, and her hopes stand separately from her bodily action and inaction. Evie is the ghost in the machine, the silent partner to a life unfolding everyway but that which she hoped. A phantasm, alienated from her peers and even those she thinks are friends, in life and in death. Basically, I had to read this book.

As Evie set the tone for her involvement in a devolving situation, so I set myself up for major literary disappointment. The bones of this story have huge potential to take the narrative to a greater place. Unfortunately, I think the story fell short. The author was often telling us how Evie felt instead of writing it so we would experience those feelings with her. As an example, the moment, post climax in the story, where Evie confronts Hadley in the hospital room, should have been an epic scene. Instead, flat observations and a dull dialogue reign in one of the key ending phases of the book. As a reader, I felt cheated. Stories that move us are those that allow us to get swept into and become one with the emotional thread in the story. This book is written in the first-person perspective, so when Evie feels something, anything, I want to feel it through her, organic and natural as she feels it herself. Instead, this story left me with the sense of an out of body experience, like those dreams when you are silently watching yourself from above and outside. I felt very disconnected to this book.

Not seeing the forest for the trees?

Another gripe is the tidy package readers receive at the end of the story. The equivalent of a fairy tale happily ever after, this book takes the easy way out explaining what happens to everyone. The prince married the young maid, they had a dozen babies, had a sprawling mansion by the sea while Evie gains perspective and every major plot point is hastily resolved, the end. I don’t want to create any story spoilers, but I will simply say the last few chapters were a big let down.

While the general theme of this book was on the right track, a coming of age tale, a suspenseful conflict, ultimately, I think this story is forgettable. As far as YA fiction goes, it has many of the key components that make compelling stories but I don’t think these elements were incorporated or utilized to the best effort. I’ve read good reviews for this book and other Katie Williams short stories, but for me The Space Between Trees needed a little more time to grow. Please feel free to read yourself and post opposing viewpoints. I may have been absent in my reading, causing me to miss the essential essence of this story.

The Kids are Alright.... or Are They?

2010-06-07T19:00:00.000-07:00

Monster Tales: Vampires, Werewolves, & Things
edited by Roger Elwood
New York: Rand McNally & Company, 1973

One of the creepier horror anthologies I read during my elementary school years was Monster Tales: Vampires, Werewolves, and Things. Assembled by horror/fantasy author Roger Elwood (who would edit numerous anthologies featuring tons of up-and-coming authors of the '70s), with bizarre and haunting illustrations by Franz Altschuler, this collection provided me many a sleepless night.

The introduction is written by Robert Bloch (known for writing Psycho, among other prolific contributions to the horror genre), who vividly describes the true horror of what lies in the dark, behind the shadows, and in our imaginations. There are six stories in this book highlighting encounters with supernatural forces drawn from folklore. As noted in the title, the book is divided into three categories: Vampires ("Precious Bodily Fluids"), Werewolves ("Werewolf Boy") and Things ("Wendigo's Child", "Torchbearer", "The Call of the Grave" and "The Vrkolak").

The uniting concept of this anthology is the fact that each story has a young main character whose parental figures are powerless to protect them from the forces of darkness, be they human or supernatural. "Wendigo's Child" details the horrible events begun by a curious boy who disrupts an Indian burial ground by stealing a mummified creature; "Torchbearer" follows a young man who is sold by his father to a sinister Count who practices witchcraft; "The Call of the Grave" recalls the narrator's childhood in Wales where calling on the dead after a mining accident yields horrible repercussions; in "Werewolf Boy" the title character makes a pact with a witch who will transform him into a wolf to avenge the death of his puppy at the teeth of a local Baron's dogs; "Precious Bodily Fluids" involves a strain of vampirism that haunts a boy and his father in a crumbling ancestral home; and "The Vrkolak" ends things on a more humorous note with a disgruntled summer camper who turns himself into a giant frog-like creature to get back at bullies.

What I like about the stories in this collection is that most of them drive home the fear of the unknown without implying that everything has returned to normal at the end. Each tale has a cadence in the writing style that evokes a sense of unease. Franz Altschuler's illustrations have a jarring peculiarity to them that complements the narrative similar to Stephen Gammell's work for the Scary Stories to Tell in the Dark series. While each story is effective in its own way, the ones that stuck out for me were "Torchbearer" and "Precious Bodily Fluids."

"Around the man at the stake were perhaps forty or fifty hideous, loathsome figures. Human Beings? Men? Women? Ghosts? Creatures of the netherworld?" - Arthur Tofte, Torchbearer

"Torchbearer" is particularly interesting because it deals with the question of evil without adhering to the immediate assumptions readers might have. Rolfe is sold to the Count Monterrant, a sinister nobleman whose castle is a sanctuary to the deformed outcasts of France. His job is to carry the torch to light the passages and help out the witch who lives in the underground rooms. Rolfe witnesses a graphic ritual where a Magistrate responsible for the torture and deaths of innocents accused of witchcraft is condemned to a hellish inferno for his misdeeds. This scene plays out with chilling drama that hints of Poe's narratives. Mayhem ensues and Rolfe is left to ponder which is more blasphemous, a group of outcasts who use witchcraft as a cloak of protection against an ignorant political structure or the banal cruelty practiced by the church against anyone who stood in their way.

"As the old caretaker quietly left Michael's room, the young boy couldn't help but notice how much the old man looked like a skeleton, withered and almost dead, yet still alive." - Mario Martin, Jr., Precious Bodily Fluids

"Precious Bodily Fluids" brings the vampire of legend into a more modern setting. Michael and his father go to a rural English village to move into the ancestral estate previously owned by his uncle. They are greeted by Mr. Gaskell, the creepy caretaker of the crumbling castle. The discovery of his Uncle's morbid scientific research coupled with the fact that his father grows weaker by the day (as Mr. Gaskell appears younger) tips Michael off to the danger that he is in. The power of this tale lies in the unsettling feeling Michael is left with when he realizes that he is alone against a Lamia (a creature who lives off the bodily fluids of humans and animals), and his father is powerless to help him.

I would recommend this book to young readers who enjoy scary stories rooted in folklore. Like the Scary Stories to Tell in the Dark and Short and Shivery collections, each tale feels as though it is being read to you near a campfire or fireplace on a dark and stormy night.

Tick Tock, Tick Tock

2010-06-04T12:19:00.000-07:00

The House With a Clock in Its Walls
John Bellairs
The Dial Press, 1973
Puffin Books, 1993

The House With a Clock in Its Walls is the first in a glorious and mysterious series by John Bellairs. Having read this book as a child and then recently again as an adult I have to say the gothic bones of this story have allowed it to stand the test of the decades that have passed since it was first published.

The story, along with the whole series, follows the adventures of Lewis Barnavelt. In House the book opens with Lewis moving to the fictional town of New Zebedee, Michigan, more specifically into a sprawling Victorian mansion with his odd yet loveable uncle Jonathan. Overtime, Lewis comes to realize his uncle and his uncle’s friend Florence Zimmerman dabble in the dark arts; Jonathan a fledgling wizard and Florence a powerful yet cautious witch. As if being bathed in the spectacle of magic mirrors, light-hearted displays of illusion, and wizardry wasn’t fascinating enough, Lewis is quickly confronted with the evil side of such powers when he learns about the previous owners of the house, the cunning and sinister Isaac and Selenna Izard. Before his death, the power hungry (criminally insane?) Isaac constructed a hidden enchanted clock within the walls of the New Zebedee home. The device, meant to align the cosmos in such a way to allow Izard’s magic to obliterate the world, eternally ticks in an attempt to carry out Izard’s evil plan, even from beyond the grave. The story builds and an escalating series of ghostly encounters climaxes into a stunning finish which will encourage readers on to the next book in the series.

The glory of this story rests not only in the wonderful writing and the supernatural/magical elements of the plot, but also in the quiet and relatable nature of the characters. Lewis Barnavelt, who is perhaps like his maker John Bellairs and countless others, is a self-conscious yet curious boy, eager to find friends, but more comfortable reading and crunching cookies. Oft being the last boy picked for the baseball team, if picked at all, can lead to an overpowering sense of desperation which is all too human. Unfortunately, it is such desperation which often leads to horrifying results, particularly in a supernatural type book. One of the threads of the story follows Lewis as he befriends, struggles to keep, and ultimately loses his friend Tarby. When we see Lewis try to raise the dead in the cemetery to impress Tarby we feel his overwhelming sense of loneliness, knowing that whether or not his incantation works, he’s probably lost Tarby anyway. I think seeing Lewis vulnerable and exposed, stripped bare spiritually, allows us to really see Lewis. Being so close to him makes this story even greater than it already is.

As if I couldn’t love this book enough, the illustrations are masterfully created by the late Edward Gorey. In true Gorey style, the character of his illustrations, which he self-described as literary nonsense (the class of such as Lewis Carroll), fit perfectly with the tone of the story. Dark, mysterious, subtle yet awful (in imagery, not construct) the pictures in this book are so breathtakingly beautiful that it further accentuates what a wonderful literary gift this book, and series, is to readers of all ages. I highly recommend this book for middle grade readers, and even teens and adults who want another chance to solve the mysteries of their youth and visit the haunts of their childhood. We all have them, I’m quite sure.

Gossip Girl in the Shell, part I

2010-05-19T15:13:00.000-07:00

Skinned -and- Crashed
by Robin Wasserman
New York: Simon Pulse, 2008 and 2009

Skinned and Crashed are the first two parts of an intriguing new teen-cyberpunk trilogy by Robin Wasserman, which follows the postmodern cyberpunk identity crisis of a young girl whose life is rapidly destroyed by the technology that saved her in the aftermath of a car crash.

Lia Kahn is the rich, white, blond-haired, blue-eyed ubermadchen daughter of an upper upper class family. Lia goes to the most exclusive school, surrounded by the most exclusive friends, and access to the most exclusive technology available in a story set in a distopian future world still recovering from the horror of nuclear fallout. Lia has everything genetic engineering can provide: perfect looks, perfect mind, perfect life. She and her friends define culture, and walk in luxury.

Like this, but with better wi-fi.

Then the worst happens; Lia's body is destroyed in a freak car crash, forcing her parents to have her mind downloaded into an advanced prosthetic body made to resemble a human being as closely as possible. The story begins with Lia waking up, and follows her through the horror of losing everything she has ever had, and ever been.

In Skinned, Lia and her family are forced to confront the reality of her new situation. Has Lia truly been saved, or is she merely a facsimile of a girl who is now dead? Like all the best stories, the book provides no real answers. In Lia's world, Faith is a quaint concept held only by the delusional, and Lia herself has been raised to believe only in power and will. In fact, she and her family are terrifyingly fascist, and her father has raised her on Nazi slogans; literally, his motto is "work will set you free" - the words written over the gates of Auschwitz.

"Arbeit Macht Frei" = "Work Will Set You Free"

After the accident, Lia's connection with family and friends breaks down in a series of revelations which drive Lia away from her life and into the company of a group of fellow "skinners", other teens who've been downloaded (voluntarily or not) and exist outside of human society.

Some of the themes dealt with in this book are staples of modern cyberpunk and culture. Lia's friends' revulsion is tied to the "not-quite" effect, known as the uncanny valley, in which people are repulsed when confronted by something that very closely resembles a human face, but isn't quite there. This effect is the reason some recent CGI movies and video games haven't fared as well as expected; people just freak out when they see something close (but just not) human.

Feel that chill? That's the Uncanny Valley

As the people around Lia attack or abandon her, Lia herself is forced to deal with the loss of what she has always believed to be "herself". No longer able to "feel" as she once did, Lia experiences a series of emotional responses which are sneakily reminiscent of the Kubler-Ross five stages of grief: denial, anger, bargaining, depression and (ultimately) acceptance. In the process, Lia comes to realize that she no longer belongs in the life she once led. By the end of Skinned, she has literally been stripped bare, and discards the identity of the girl whose life she has failed to replicate.

The Outer Darkness is a Delicacy!

2010-05-03T15:14:00.000-07:00

The Monster Who Ate Darkness

by Joyce Dunbar; illustrated by Jimmy Liao

Cambridge, Mass. : Candlewick Press, 2008.

Move over, Shoggoth, here comes... The Monster Who Ate Darkness is a charming tale about a horrible little creature from under a little boy's bed, who eats all of the darkness in the universe, leaving nothing but a wasteland of stark, unforgiving light in its wake. Thankfully, the story has a happy ending, but not until many adorable tears have been shed.

Jo-Jo is terrified of darkness, fearing that there are monsters lurking in the shadows and beneath his bed. Naturally there is one; just a speck of a thing who is cute and cuddly and not at all terrifying when we first meet him. The Monster is hungry, and soon discovers that the only thing that will satisfy his appetite is darkness (note: "darkness sandwiches" = best lunch ever). So he does Jo-Jo a favor, and starts devouring all the darkness in the room.

You got nothin'!

However, his hunger is so immense that he ends up eating all the darkness, everywhere, disrupting the natural order of things and leaving all the animals confused. The monster becomes lonely, lost on a far planet in the stark light of an empty universe, until he hears Jo-Jo weeping in the distance, unable to sleep for lack of darkness. The monster returns to the boy, and holds him, singing him a "darkness lullaby" (which I imagine must sound something like this). As the darkness oozes out of a cone in his head, he shrinks back down as Jo-Jo falls asleep in his arms, until finally the story closes with the boy sleeping with the now-tiny monster nestled in his arms.

This story can be appreciated on a number of psychological levels. For one, it turns nighttime into an adventure; still full of monsters, but comforting in its own way. So, definitely a bedtime story for the kids who don't want to stop believing, but still need a decent night's sleep. The monster isn't evil, just hungry and oblivious, which makes his antics adorable even as he pulls the stars down from the sky. Jo-Jo, meanwhile, restores the natural order of things by embracing his inner darkness (thus, a supervillain is born! haha...). The illustrations are equally enchanting, in many ways telling a story all their own. Artist Jimmy Liao has a talent for drawing the cute with the horrible in the same breath, and the monster is truly a blend of both as he transforms from a kittenish little mite to a bloated monstrosity (also cute), and back again.

A Little Like This...

---

On a side note, I came across this interesting quote from the Q&A section on Joyce Dunbar's website:

"There's also too much cuteness for my liking. I write cute stories myself but this reflects what publishers accept rather than my range as a writer. But this really is a golden age of children's books and you can't expect to publish only the best."

This is part of Dunbar's response to a question about whether she had any complaints as a writer, about publishing and about being a children's author. I personally feel that it speaks to the sort of stories we like to talk about, here at SB/SC; things that break out of the mold, and might be a little frightening, provocative or challenging than what we typically find on the children's shelves of libraries and bookstores, things that are thrilling, and maybe a little more dangerous than cute.

More Dangerous than Cute

The things that make a story compelling are not always things that are comforting, and I worry at times that many of us shy too quickly from introduction our children (or the children around us) to fear in tiny doses. Not that I think we should go around scaring the tuna salad out of toddlers just to see them cry, but an important element in facing fear is the consequential feeling of empowerment we are left with afterwards, once we realize that we have outlived our momentary fear and become stronger for its passing. Children learn more than mere vocabulary from the stories we give them, they learn to live with complexity, ambiguity, distress; and in the end, maybe, they learn to sleep at night by holding the things they were once terrified of closest to their hearts.

PS: If you're looking for more about The Monster Who Ate Darkness, there's a great, thought-provoking review in The New York Times. Enjoy!

Tails, You're It

2010-04-09T11:40:00.000-07:00

The Tailypo: A Ghost Story
Told by Joanna C. Galdone
Sandpiper, 1984

Using a misappropriated or a stolen item to build the suspense in a story is a common one in scary books for youth. A character either purposely or unwittingly comes into possession of an item, article, or appendage and the rightful owner of said item, article, or appendage slowly but certainly seeks revenge. Sometimes this revenge is with not so savory results. This storytelling framework is the one employed in a classic children’s scary picture book called The Tailypo: A Ghost Story. Whether or not this is an actual ghost story or just a scary story (for I feel the creature seeking its tail is not necessarily a ghost) can be debated, but nonetheless, this is a smooth and suspenseful tale for young schoolchildren.

The story opens with a lone woodsy cabin. We meet our main character, an elderly man, who lives a hermit-like existence deep in the forest with his three hounds. He lives simply and self-sufficiently. He seems to be a worn out shadow of a once rugged woodsman, the type that is honest, not inclined to superstition, and hearty to the core. After he hears a strange creature in the woods and scratching outside, and eventually in his own cabin, the woodsman strikes out to abolish the creature but instead only cuts off the creature's tail; his tailypo. From this point onward the tale crescendos with the creature calling out in a spooky verse for his tailypo until we fall upon a silent, yet telling scene in the final pages.

The Tailypo is a classic example of a spooky American folktale. The setting, the characters, the tone, and the illustrations are evocative of Appalachia or the Tetons. The rhythm of the tale makes it a great read aloud and storytelling piece. I would venture to guess, since versions of this story have been told for decades, that the first author of this tail didn't see Zombieland. The rules created by Columbus for zombie invasions definitely apply here. Had our woodsman executed rule #4, the doubletap, on our frightening critter instead of just chopping off his tale we would end up with a cheerful woodsman donning a tailypo skin cap and lounging with his hounds instead of an empty cabin and a possibly still at large demonic being roaming the forested mountain range. Well, in any event, it is a delightful little spooky story.

Children in the Aftermath

2010-03-10T13:38:00.000-08:00

The Pack
by Tom Pow

Tom Pow's The Pack is like a children's primer for Cormac McCarthy. It is a story of desperation and identity, set in a bleak, post apocalyptic setting which is just recognizable enough to be truly disturbing even to veteran fans of the genre. This book occupies a nebulous place between childrens' and young adult literature; though it is ostensibly about children, its themes are somewhat more mature than typical juvenile fiction. Pow's writing style does not coddle his readers, whatever their age, and the subject matter is starker still.

The story in The Pack centers around three feral, orphan children living with wild dogs on the edge of what's left of civilization. The children are named after the storefronts they were found in front of, Bradley, Victor and Floris (the 't' was broken), while the dogs are meaningfully named Hunger, Fearless and Shelter. The pack survives under the tutelage of an old woman, whose stories teach them to retain the last shreds of their humanity. When Floris is kidnapped by a local warlord, the rest are forced into a quest to save her, for their own sakes as well as hers.

There are two reasons that this book is best for advanced readers: one, the story is written in a tone of unflinching brutality, devoid of comfort or ease; two, the literary eloquence of the book, while beautiful, can also be abstract in the extreme, and requires a well-developed sense of reading comprehension. The brutality comes in several forms; one of the crucial turns in the plot centers around a pair of dog fights, described in graphic detail, and several times during the story, characters defend some atrocious behavior by claiming it was necessary to survive.

As for literary abstraction, the main character, Bradley, explicitly follows the form of the Hero's Journey. Though the term itself is never directly invoked, the constant references to stories and dreams (not to mention the narrative style) make it clear that this is the form the pack's movements take. Also, the question of identity is brought into play, as is the barrier between human and animal, boy and girl, civilization and collapse. Finally, there is a level of social commentary which I won't describe in detail, because it is integral to the "big reveal" at the end of the book. Suffice it to say, the Invisible City and its surrounding Zones bear a shocking resemblance to the world as it already is, placed in a smaller sandbox and given a different context.

To what extent the childrens' world is actually "post apocalyptic", in the traditional sense, is never made perfectly clear beyond vague allusions to the "Dead Times". By the end of The Pack, the nature of the world these children live in is less defined than it was at the beginning, and that mystery is part of its charm. In the words of the old woman, repeated as a refrain throughout the book, the world is made of dust and ashes, but stories cannot crumble, burn or be broken.

Spaghetti, Squash, and One Hungry Spook

2010-03-02T16:34:00.000-08:00

The Ghost of Sifty Sifty Sam
By Angela Shelf Medearis
New York: Scholastic Press, 1997

In this book, as can be the case in scary stories, the spookiest part is the anticipation. We get worried about the suspense and get overwhelmed with fear of what happens next. Or as our character Chef Dan from The Ghost of Sifty Sifty Sam might say, we get caught up in a plot that thickens like standing fatback in a fry pan.

In this story, a brave chef takes up the challenge to spend the night in a haunted house. It is told that in this house lives a horrible ghost and anyone who can spend the night in the house without fleeing will rid the house of the ghost forever. To sweeten the deal, the realtor in charge of the house offers a hefty reward for anyone who can cleanse the property of its supernatural resident. Dan enters the haunted house hopeful and excited, with an armful of groceries to keep him cooking throughout the night.

The storyline builds rhythmically and quickly in this picture book. In the style of short stories like What Do You Come For? and Me Tie Dough-ty Walker! (both short folktales retold by Alvin Schwartz in Scary Stories To Tell in the Dark), the ghost of Sifty Sifty Sam appears piece by piece. With each turn of the page, we see a new incarnation of the spook and a more intense feeling of fear registers with our beloved chef. As we get closer and closer to seeing the entire ghost, the suspense builds and readers wonder what will be Chef Dan’s fate upon meeting the ghost in full form. While the first face-to-face meeting shows a cowering chef and a very intimidating ghost, readers will be surprised by Dan's craftiness as he appeases the spirit and the two forge a friendship in a light-hearted and silly climax.

The watercolor illustrations in this text do a wonderful job of representing the soul of both Chef Dan and Sifty Sifty Sam. Dan is wrapped in warm layers of whites, yellows, browns, and pinks. Sifty Sifty Sam is portrayed with cool blends of blues, whites, grays, and black. Throughout the book you will notice this contrast between the ghost and Chef Dan. This artistic element plays upon the underlying theme of the differences in the realm of the living and the realm of dead. Overall I think this was a fun and quick picture book that would be appropriate to share with children of varying ages.

Of Hateful Hippos and Hissing Cobras

2010-02-24T15:44:00.001-08:00

Never Smile at a Monkey
by Steve Jenkins
Boston: Houghton Mifflin Books for Children, 2009

If legendary children's author Eric Carle ever developed a grumpy side, he would have written something similar to Steve Jenkins' misanthropic animal book, Never Smile at a Monkey, a compendium of some of the world's most malicious and dangerous animals.

This book is for the more skeptical child, who recognizes that, behind all the soft fur and cute noises, most of our world's most adorable animals are also brimming with spite. Steve Jenkins pulls no punches, and writes with the sort of brutal honesty a growing child needs; after all, in a world that contains such horrors as the duckbill platypus, we should always remember to stay on our guard. In addition to the brief descriptions of the horrifying reality of each animal's life, Jenkins helpfully includes an appendix which tells you where not to go if you want to avoid these malevolent creatures, plus additional information in case your first encounter didn't quite convince you.

A sort of anti-Brown Bear, Brown Bear, the creatures in Never Smile at a Monkey could have been created by Bill Martin Jr.'s evil alter ego; they aren't quite bathed in blood and vitriol, but some of them wear expressions that tell you they soon might be. My personal favorite is the hippo, whose brown, hateful eyes make it look like an angry drunk on a bender, though the spitting cobra is clearly having none of it. Even the stingray, whose eyes are beguilingly innocent, resonates with danger. These illustrations are hilarious in their sincerity, as if they are daring you to laugh. It's hard to look at that glaring monkey face and not laugh, and therein lies the true danger of this book. Because, really, you shouldn't ever smile at a monkey.

Our Eyes Glow in the Dark... with Love!

2010-02-19T17:23:00.000-08:00

While You are Sleeping

by Alexis Deacon

New York : Farrar, Straus and Giroux, 2006

The imagery in While You are Sleeping gives me what I can only describe as warm chills. The inside cover flap is papered over with your standard (normally innocuous) collection of toys and stuffed animals, except that some of them appear to be floating creepily, and they are all staring directly at you. The vague sense of friendly dread this imagery instills is a great emotional summary of the rest of the book, which has a touching, even heartwarming story even as it is subliminally unnerving.

The story itself is touching, and multilayered. On surface it is a story of reassurance, a letter written in the second person to a child from her toys. They stay awake, protecting you from nighttime terrors as you sleep. Of course, the idea of all my toys coming to life when I was a kid, even to protect me from things I was afraid of, would itself have inspired fear. On top of this, there is a story of indoctrination; there is a new toy (the cuddliest little lion), who must pass muster to remain part of the group. He does, of course, but what would they have done if he failed? I shudder to think.

This book sits in a position of delightful ambiguity. Though I have called attention to the strangeness of it, I should also make clear that the characters are endearing, in a soft and understated way. The illustrations are very warm, with a classic fuzzyness that makes you want to give them all a hug. Overall, this book is absolutely perfect for reading under a blanket, with a flashlight, just before bed. Just try not to look to closely at the eyes, glowing golden in the night...

Revolting Fun

2010-02-18T11:40:00.000-08:00

Roald Dahl's Revolting Rhymes
by Roald Dahl
Illustrations by Quentin Blake
New York : Knopf, 1983

Roald Dahl’s taste for the macabre has always shown itself in the wonderfully revolting villains of his children’s novels (the disgusting subject matter of The Twits and The Witches comes to mind) and in the twisted parables for a more mature audience found in his short stories for adults. Revolting Rhymes is Dahl’s take on the traditional fairy tales of old. The results are hilarious and disturbing. Goldilocks is a spoiled brat who pays dearly for an act of home invasion; the three little pigs learn a painful lesson about home construction; Jack discovers that personal hygiene can be a matter of life and death when dealing with giants; Cinderella finds relationships to be gruesomely complicated; Snow White and the Seven Dwarves take on the world of gambling; and we see the darker side of Little Red Riding Hood.

I first heard Revolting Rhymes during a story hour from my Language Arts teacher when I was in the third grade and it quickly became a favorite. The subversive tone behind the stories matched well with an interest in creepy fiction (courtesy of Alfred Hitchcock’s anthologies for “younger readers”) that I was cultivating at the time. “Goldilocks and the Three Bears” stuck out for me the most because of the poetic fate that Papa Bear decides for the greedy little girl who slurped down his son’s porridge as her final act. Each tale is told as a poem and Dahl’s lyricism makes these stories great to read aloud. Quentin Blake’s illustrations complement the verse perfectly in their portrayals of Dahl’s bizarre and often grotesque characters.

Although Dahl offered his own twist on these classic tales, his sardonic humor definitely echoes some of the darkness found in some of the original source materials. Particularly in the Brothers Grimm anthologies, repugnant characters met with gruesome ends and life lessons were often harsh, even in the land of make-believe.

Update for the Masses

2009-11-27T12:31:00.000-08:00

Alright, I admit it, this is a bit of a placeholder post. We've both been sortof busy, of late; other projects and whatnot, plus this humble blogger is also a full-time student. Don't give up on us, though, because we have a lot of directions we're going to be taking this thing in coming months. Here's a list of ideas and ongoing projects:

"Screaming Out Loud": the horror podcast series will continue in December
Guest Bloggers Welcome!: Got a story about your favorite spooky story, or moment of spookery from your childhood? If you would like to Guest Blog, or even join us as a regular contributor, contact us; we'd love to hear from you.
Broader subject matter: In addition to reviews, we'll be taking a look at what make horror so fascinating, why kids and teens are drawn to it, and how to deal with advanced readers and the question of age-appropriate content.
Fiction?: My personal inclination is to ask you, Dear Reader (to rip from Stephen King), should we include a section for original submissions?
Ideas?: What would you like to see here? If you have ideas for what you'd like to see on this blog, get in touch! This is the running theme, today, because we honestly want to know what you have to say, what you want us to say, and what we can do to make this a better space for childrens' horror.

Ultimately, this blog is a labor of love, and we're going to keep it going even if we only get to post once a month. The last few months have been amazing, and I for one look forward to many more.

Thanks,

Nick Hirsch

Just Before Nightfall

2009-11-02T17:47:00.000-08:00

The Dark Thirty: Southern Tales of the Supernatural

By Patricia McKissack

Knopf, 1992

Every now and then a timeless supernatural classic comes along, one that you have to read over and over again and share with as many people as you can. The Dark Thirty, winner of the 1993 Coretta Scott King Award with black and white illustrations by Brian Pinkney, is one such book. An anthology of nine short stories and one poem, this book is an engaging collection of tales.

The title comes from that time of day just before nightfall and the stories within are perfect yarns to spin at that eerie time of day. The stories within this book are haunting, in a horror story sense as well as in a social commentary sort of way. The stories evoke the African-American experience in the south with themes ranging from slavery, segregated communities, transport (trains and buses), and 60's activism, all with a supernatural twist. The stories are written in such a way that a wide audience can be reached and mesmerized. The narratives are smooth, steady, and subtle, despite the heavy and sometimes violent themes they depict. For instance, in the story "Justice" readers are introduced to a character whose ghost returns to avenge his wrongful and horrible lynching murder by a Klansman. Sometimes these elements of our history are hard to explore with youth, but using a short story as a way to break the ice, we can start a dialogue about the haunting parts of our past in a way that is accessible and appropriate for children of a certain age.

I remember my 6th grade teacher reading this book to us, one story at a time, and I remember this was the first time my class was quiet. Pin drop quiet. Every Friday we were allowed to bring pop and gum into class, so usually we were all wound up on sugar, but the Friday afternoons when Mr. B read from this book we were all quietly and thoughtfully absorbed in the tales. This is a book I enjoyed hearing and love to read over and over and I am happy to share it with you. I hope you find it to be a powerful reading experience.

Looking for a Good Halloween Costume?

2009-10-30T11:37:00.000-07:00

The Gruesome Guide to World Monsters
by Judy Sierra; illustrated by Henrik Drescher
Cambridge, Mass. : Candlewick Press, 2005

As encyclopedias go, The Gruesome Guide to World Monsters is one of the more interesting ones out there. The creatures in this book are enough to inspire madness in even the most rational of minds. Even more terrible - all of them are real!

This collection of dread fiends is inspired by actual folk-tales from around the world, with helpful pointers on how to avoid them (if you can). Every monster is rated on a scale from one to five skulls, from mere fright to inevitable death, and a description of where it makes its horrible, horrible home (so you can avoid there).

The author of this book, Judy Sierra, grew up in the DC area, and has been a children's librarian, puppeteer and folklorist for most of her life. She is also the author of another great spooky volume, Monster Goose. What's really great about the Gruesome Guide is that Sierra sticks to creatures you've probably never heard of, organized by the region they came from. You won't find vampires, werewolves or goblins in this book. No, instead it's Ahuizotl, Nkanyamba, or Bunyip . Great for that unique Halloween costume you've been trying to find...

The art in this book is equally great. Henrik Drescher's style (somewhere between Clive Barker and Dave McKean) is simultaneously fleshy and free-form; his monsters look like they were picked out of a madman's nightmares (not that this humble blogger would have any idea what a madman's nightmares look like... not at all...). So, if you're in the mood for something unusual to talk about at the party (or just like to look at scary monsters), find this book, and pay close attention. After all, you don't want one of these things to find you...

Classic Halloween

2009-10-28T23:30:00.000-07:00

The Halloween Tree
by Ray Bradbury
Random House, 1972

As we approach the last week of October, I'm sure those Halloween preparations are in full swing. Putting finishing touches on scary and silly costumes, buying candy, choosing pumpkins and putting spooky decor around the home are just part of the tradition as we get ready for All Hallows Eve. I would like to personally suggest another activity that should be added to the holiday to-do list: find yourself a copy of The Halloween Tree by Ray Bradbury.

Ever since I discovered this book in junior hight I have read it each year around Halloween and each time I am never able to put it down. The magic and adventure in this book never cease to electrify my imagination. The book is about eight friends who set out on Halloween night to find some adventure. The ninth friend in the group, Pipkin, promises to meet up with the rest of the boys later on at a sinister looking house in the woods. But when the boys think they see him, the chase begins. From here on out the eight boys are led into the darkest depths of history as a mysterious character, named Moundshroud, guides them through the past to find their friend. The whole while, Moundshroud uses supernatural and mystical tactics to teach the children the meanings behind the celebration of Halloween. After spectacular lessons about history, other cultures, and celebrations are learned in ancient Egypt, the time of the Druids, and Mexico, to name a few, the boys endure the greatest personal journey of the evening as they are asked how far they would truly go to help their friend.

Fans of Bradbury know that his stories, particularly those about children, are typically accompanied by change, growing up, and the ache of loss. The Halloween Tree is no exception to this. Despite this being a children's chapter book, Bradbury still eloquently describes the realities of death's cold touch, and he does so as honestly and simply as a child might describe the misty and haunting twilight that comes after an autumn sunset. The book's lyrical nature and the youthful vibe from the characters make this book not only a moving story to listen to, but also a sheer delight to read for children and adults of all ages. Happy reading and Happy Halloween.

Screaming Out Loud - Halloween Edition

2009-10-26T11:33:00.000-07:00

"The Tell-Tale Heart"
by Edgar Allan Poe
read by Nicholas Hirsch

"The Tell-Tale Heart" was one of the first horror stories I ever read. I was in sixth grade, perusing the shelves of my school's library, and there it was - a thick, dusty book, bound all in black, with a picture of a raven on the cover. Inside the cover was a picture of the man himself, Edgar Allan Poe, right out of a Tim Burton movie! (causality and linear time would come later in my education...) I opened to the table of contents, and started flipping through the book to find myself dazzled and thrilled by the illustrations; it was a dark, morbid affair, full of thunderclouds and autumn leaves whipped around by a cold wind. Someday, I will find the edition that had those illustrations, or I will discover that it was all in my mind...

In any case, the stories gripped me - "The Tell-Tale Heart", "The Pit and the Pendulum", "The Masque of the Red Death". The whole collection spoke to me; whispers of dread delight that appealed to my inner, laughing monster. These were stories to be read under a blanket with a flashlight (or behind your textbooks in class), they spoke a new language, full of brooding, steeple-fingered madmen and bouncing alliteration. They jangled the senses; they carried you into the shadows, just behind the narrator's bloodshot eyes, and pulled your mind into an unfathomable abyss. It was magic. I was in love.

It is with this memory in mind that I present here the first installment of Screaming Out Loud, a series of classic horror tales, read aloud for your enjoyment (and, let's be honest, for mine). To celebrate this, my favorite holiday, my Christmas, New Years and Thanksgiving, all rolled into one, here is my own rendition of that mad old story, "The Tell-Tale Heart", by Edgar Allan Poe:

Download the MP3 here.

Not Your Parents' Monster Mash

2009-10-09T13:37:00.000-07:00

Boogie Knights
by Lisa Wheeler; illustrated by Mark Siegel
New York : Atheneum Books for Young Readers, ©2008

Boogie Knights is a delightfully silly book, and more than a little deranged. A young prince wakes to find his castle of full of terrible monsters and creatures of the night... all of whom are dancing! One by one, the seven knights who guard the castle are drawn into the party, only to be swept up in the merriment themselves.

The best part of this book is its visual musicality. The imagery begins in gray scale, but as each knight succumbs to the urge to dance, the pages become splashed over with colors and laughter. In the end, everyone ends up dancing the night away; and the seven knights return to their posts drenched in color, while the little prince sleeps with a smile on his face.

Lisa Wheeler and Mark Siegel (who worked together before in Seadogs: An Epic Ocean Operetta) explain the motivation behind the creation of this book far better than I ever could in this handy little video:

Enjoy the momentary tingle of fear, then go dancing!

Lest That Your Heart's Blood Should Run Cold

2009-10-05T18:04:00.000-07:00

Passion and Poison: Tales of Shape-Shifters, Ghosts, and Spirited Women by Janice M. Del Negro

Illustrations by Vince Natale

Marshall Cavendish Children's Books , 2007

Passion and Poison is a splendid little anthology of original gothic tales and retellings of classic folk stories. This book is unique not only for the fact that it features only female protagonists, but also for the fact that the featured women are strong, logical, and matter of fact in their dealings with the supernatural, gore, and horror. This book is so refreshing for a reader who grew up watching 80’s slasher flicks where the female characters stumbled around, screamed, and mentally wilted or physically perished in the face of fear and danger.

The stories in this book tackle themes of revenge, loss, bravery, and redemption. The female characters, though diverse, share the common threads of strength and keen observation. These women are perceptive. These women are strong. They know how to fend for themselves. They know when to, how to, and who to fight for.

My favorite tale in this book is “The Severed Hand” which is a retelling of the English tale "Mr. Fox." A desirable young woman, hounded by many determined suitors, finally falls for a dashing stranger. They become engaged. However, a solo jaunt into the woods leads to the woman being stranded in the woods near dusk. Knowing her fiancé’s home is near she sees no harm calling upon him unannounced. After all, they are engaged to be wed. Realizing nobody is home she lets herself in to wait and upon entering, notices a strange motto above the door. Each door she enters in the home has an even stranger motto and curiosity gets the best of her as she continues to explore the house. While curiosity doesn’t kill the cat in this case, the young maid stumbles upon a horrifyingly gory scene and realizes a horrific truth. Her fate seems to be certain death until we see our protagonist’s problem solving skills, which were hidden so properly behind her demure nature and stunning beauty. Ah, how I love a young woman who can hold her own amongst a slithering snake, and how!

It is my supreme delight to recommend this book to all readers of short read aloud gothic stories. While the reading level of the book is proper for 5-6 graders, I think all of us can find a character to relate to in one, if not all, of these eight tales. My only complaint is that there were eight short stories in this book and not eighteen.

Beautiful Nonsense Saves the Night

2009-09-28T14:57:00.000-07:00

What the Dickens
by Gregory Maguire
Cambridge, Mass. : Candlewick Press, 2007

What-the-Dickens, as the subtitle suggests, is the story of a rogue tooth fairy. It is also the story of three children, Dinah, Zeke and Rebecca Ruth, trapped in their house with their elder cousin Gage; outside, a terrible storm rages, and their parents have gone missing.

To keep them in good spirits, Gage tells them a story about the skibbereen - what human beings would know as "tooth fairies", and a renegade fairy named What-the-Dickens. What-the-Dickens is born in an empty tuna can, unaware of who or what he is, or much of anything, really. The story catches young Dinah's imagination, and gets them all through the night.

This is not a particularly spooky book, but it is a beautiful and imaginative one. The childrens' fear of the storm and their parents' absence gives Gage's story a sense of urgency: Dinah's immersion in the tale reminded me pleasantly of "Neverending Story", or any number of times when I was a child, reading my way through rough weather. The story of What-the-Dickens is only half the tale, though. This book was also about the power of storytelling itself, and the potency of belief in magic and prayer. Best of all, though deeply philosophical and thought-provoking, the book places itself easily in the grasp of its intended ten-year-old audience.

Gregory Maguire is known for his reworked modern fables, notably his series of books starting with Wicked. His choice of the tooth fairy in this book is interesting, because the origin of this creature is already terribly obscure: to tell the tale of the skibbereen (ironically also the name of an Irish township) really does require making it up as you go along, which Maguire does with all the craft of a master storyteller. In fact, I suspect Gage is Maguire, folded into the story even as the character folds himself into the narrative of What-the-Dickens. Late in the book, Gage has a moment of discovery about himself, his love of stories and of telling them, which struck me as a deeply autobiographical moment. All in all, a valuable read for any child with a love of stories told to keep back the dark.

She's Tough. She's Brave. She's 75.

2009-09-21T18:47:00.000-07:00

The Little Old Lady Who Was Not Afraid Of Anything

by Linda Williams

Illustrations by Megan Lloyd

Harper Collins, 1986

The weather is cooling, which means fall is in our midst. This is my favorite time, with pumpkins on my balcony, gourds on my counter, walking my dog in the graveyard across the street to see the colors, and harvest stories and scary tales leading up to Halloween. For the little ones just getting into the spirit of the season and spooky tales, here is a friendly yarn about a gallant granny and a pumpkin head spook.

The Little Old Lady Who Was Not Afraid of Anything is a story that focuses around a brave little woman and a scary entity she meets in the woods on her way home from collecting seeds and herbs. Having walked a little too far to gather wild nuts and seeds, it is a dark and lonely walk back home for the little old woman. As often happens on these scary solo treks, she happens upon frightening figures. She first meets a suspicious pair of animated shoes, then pants, then a shaking shirt, on and on until she meets the frightening piece de resistance, a great and ghoulish pumpkin head. The culmination of the creepy clothing and the putrid pumpkin head put quite a fright in the once brave old woman and she runs home. When the being comes knocking on her door later that night readers will see how even a horrible scare can rejuvenate one’s bravery and even instill some creativity and ingenuity.

I chose this story for its simple style. It is just the right length for afternoon reading time at home or morning story time for preschoolers in class or at the library. This book focuses around the common motif of visibly constructing the story line as the plot rolls along. This is a useful tactic in picture books for pre-readers because it allows them to make predictions about what comes next. It reminds me of the story the Old Woman and Her Pig or the The Teeth in the way the events crescendo into the climax. The repetition of the events in the story help support a child’s ability to see how parts of a story relate together and it gets them excited about what will happen at the end. “Two shoes go clomp, clomp, and one pair of pants go wiggle, wiggle.” “Two shoes go clomp, clomp, and one pair of pants go wiggle, wiggle, and the shirt went shake, shake.” This type of storytelling allows children to remember the events more clearly and also to participate in the story telling with the “clomp, clomp” and the “wiggle, wiggle” type verse. The illustrations in this book are stylistically simple and as such, fit in very appropriately with the text. Despite the fact that mostly simple lines and primary colors are used, the artwork pops. The tone of the illustrations is not too frightening for a young audience. Overall this is a nice quick reading little picture book.

Taking the Sparkles Out of Your Gothic

2009-09-19T11:13:00.000-07:00

Gothic! Ten Original Dark Tales
edited by Deborah Noyes
Cambridge, Mass. : Candlewick Press, 2004

Gothic! is a fantastic collection of short stories by some of the best contemporary writers of YA and horror fiction, including Neil Gaiman, Garth Nix, Caitlin R. Kiernan and Vivian Vande Velde. Like all good collections, the stories in Gothic! explore the theme from a number of angles, ranging from loving homage to wry satire (and sometimes both at once).

Hands down, my personal favorite is "Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire", by Neil Gaiman; it's probably not as funny if you aren't familiar with old-school penny dreadfuls, but if you are it's a laugh riot. My other two favorites come right in the beginning of the book: "Lungewater", by the late Joan Aiken (who died the year this book was published), tells a modern story in the language of gothic horror, while "Watch and Wake", by M.T. Anderson, blends contemporary suburban fantasy with traditional (but terrifying) folk myths.

Some of the stories in this collection are more silly than scary, but all delight in the morbid and macabre. All of the authors are current or rising stars of their craft, so for the teen reader who's looking for something with all the aesthetic flavor of Edgar Allan Poe or HP Lovecraft (but have read the entire collected works of both, repeatedly), this is the place to start. The beauty of a short story collection is its ability to showcase new talent, and connect readers to the authors of the sort of story they are looking for. This is especially true for the YA set, who might not want to commit to a whole book without having a taste of the author's style first.

Brains at Every Single Meal, Why Can't We Have Some Guts?

2009-09-14T09:08:00.000-07:00

Frankenstein Makes A Sandwich
by Adam Rex
Harcourt, Inc., 2006

It is most certainly impossible to not fall madly in love with monsters after reading Frankenstein Makes A Sandwich (byline: And other stories you’re sure to like, because they’re about monsters, and some of them are also about food. You like food don’t you? Well, alright then.). Author/illustrator Adam Rex, utilizing the literary art of poetry, presents a creative anthology of monster stories.

The title poem of the book sets the pace for rhymes that effortlessly roll off the page and off the tongue. The liquidity of the text throughout the book makes it quite a lyrical read-aloud as well as an enjoyable treat for solo reading. “When Frankenstein prepared to dine on ham-and-cheese on wheat, he found, instead, he had no bread, (or mustard, cheese, or meat).” Some other characters featured throughout the book include the Invisible Man, Dr. Jekyll, the Yeti, and the Phantom of the Opera, to name a few. Some of the characters appear once, and some are featured a few times. For instance, the Phantom of the Opera has a few poems dedicated to him for his inability to get catchy tunes out of his head while he tries to compose his arias (my personal favorite when he can’t get “The Girl from Ipanema” out of his head). The poems in this book create silly scenarios, such as spinach remaining stuck in Dracula’s fangs because everyone is too afraid to tell him its there. Possibly better yet, these poems are a wealth of valuable information, such as suggesting one to make a hat out of carrots so zombies will abstain from your brain.

To complete a poetry collection as varied and bizarre as this, Rex created accompanying illustrations that are purely magical. Paying homage to famous illustrators of children’s literature throughout the book, such as Richard Scarry and Tony Diterlizzi, he showcases a diverse color and style palette. The variations of media to represent the different personalities of each creature was an act of simple beauty. Vibrant colors, detailed ink drawings, and shiny black and whites are a few of the impressive artistic techniques employed. Overall, this book is the perfect marriage of silliness, gentle gore, flowing text, and smooth illustrations. I think children will delight in this book and quite simply, gobble it up. Just like Frankenstein did with that molding heap of unsavory edibles. Bon appétit!

You've Been Laminated!

2009-09-07T16:59:00.001-07:00

The Librarian From the Black Lagoon
by Mike Thaler
Pictures by Jared Lee
Scholastic Inc., 1997

Being young and curious about the world is a great thing. But sometimes, with that curiosity there is fear. Fear of the unknown. Fear of the possibilities.

In a cautious and kooky picture book, The Librarian From the Black Lagoon, author Mike Thaler introduces young children to a new adventure; going to the library. There are rumors afoot. Horrible, cruel, and disturbing rumors of a monstrous librarian with a beastly personality who glues children to chairs, laminates them if they talk, and entices them with a “petting zoo” of porcupines and piranha fish. Abandon all hope, ye who enter here. With such a wicked librarian loose in the stacks, all who enter must wonder, will they ever come back alive?

Exploring fear of the unknown and taking that concept to a silly extreme, Thaler produces a picture book that plays right into a child’s psyche. Children swap stories, funny and horrific alike, and utilizing this tool of the bubble gum set, the author creates a tale that exploits the stereotype of the shushing librarian and the vulnerability of a grade school age child. I think most of people can relate to this depiction. If not with a librarian as the central figure, at least some type of authority figure that was a mysterious and stern creature that gave us the willies before we realized what a helpful and gentle soul they were.

With it being national library card sign-up month and with all the wee ones heading back to school I thought it the perfect time to share a story such as this. It’s a little suspenseful, a little spooky, and overall, a little silly. What a great formula for a shared reading experience.

Personal Note: I used to be terrified of the librarian at my elementary school. She was tight-lipped with a thin penciled frown. It wasn’t until my sophomore year in school, when I was working as a student assistant in the library, that I realized this mean looking lady was just a shy woman who was more comfortable dealing with catalog cards than children. We warmed up to each other quickly and were great friends until she passed away to a terminal illness. I guess what I’m trying to say is, give things a chance, even if they seem scary or uncomfortable. You just never know what lies beneath the surface.

The Internet Will Eat You

2009-09-04T07:14:00.000-07:00

kimmie66
by Aaron Alexovich
New York, NY : Minx (DC Comics), 2007

Kimmie66 is a fantastic little graphic novel that blends elements of cyberpunk, goth and various internet cultures, narrated by Telly Kade, a fourteen year old girl from the 23rd Century.

Telly, like everyone else from her time, spends almost all of her time in a lair - one of the many immersive virtual worlds where people work, play and socialize in the future. The lairs are strangely familiar reflections of modern Internet subcultures, structured to their aesthetic tastes. Telly's own lair of choice is a vision of the collective modern Gothic id; a fusion of Victorian and industrial influences. (Full disclosure: I would probably live there, too.) Her story begins when her best friend, Kimmie66, sends her a suicide note - and then starts making appearances in all the lairs, haunting the virtual world.

Like all good cyberpunk (and all good YA fiction), Kimmie66 is loaded with social commentary and the exploration of identity in an age of technology-enabled anonymity. In searching for the truth about Kimmie, Telly is faced with the realization that she truly knows less than nothing about the girl she thinks of as her best friend. She also confronts a society rigidly divided into isolated cliques and clubs, when travel between social circles isn't simply frowned upon - it's forbidden. Telly herself is already a rebel in this sense; the first scene we see is her travelling between isolated groups, looking for her friend Nekokat ("cat cat") to share the grim news. Telly is an explorer at heart, which is really what the story is about, incidental to the plot.

Aaron Alexovich's art may seem familiar: this is because he worked on Invader Zim (one of the all-time best subversive cartoons) with Jhonen Vasques (that name again...) and, more recently, contributed character designs for Avatar: the Last Airbender. The blurb on the back of the book describes his hallmark style as "spookycute", which very much applies to Kimmie66, which sports the most adorable ghost-bleeding-from-her-eyes scene ever. Find it, read it, love it.

A note about the publisher - we'll probably see a lot of their work here on SB/SC. Minx is an imprint of geekery giant DC Comics, specializing in graphic novels for teenage girls. Many of these stories are simply amazing, and a good number of them are qualifiers for Spooky Books treatment.

What is Lurking Behind the Walls?

2009-08-31T20:20:00.000-07:00

The Wolves in the Walls

by Neil Gaiman

Illustrations by Dave McKean

Harper Collins, 2003

The Wolves in the Walls, is a wild story with a level-headed heroine. The premise of the book plays on basic fears (home intrusion, fears of childhood fantasy) and takes the reader on a heart-thumping journey.

Lucy and her trusty pig puppet heard noises coming from inside the walls. While unsuccessfully trying to convince her family that the noises are coming from wolves in the walls, she is also introduced to an apparently well known axiom. A warning, if you were. “If the wolves come out of the walls, then it’s all over.” Her family doesn’t take her too seriously, even though Lucy is utterly convinced it is wolves inside the walls. Yet, despite her family’s flippant responses to her worries, there is an imminent sense of danger that they all seem to accept, either openly or subconsciously.

And then, one night, that danger awakens in a horrible way when the wolves finally do come out of the walls. The family flees the house and surrenders their home and possessions to the vicious, wily canines. Even though they are left to sleep in the garden, the entire family is safe, all except for Lucy’s puppet, the one entity that trusted her about the wolves. As her family is suggesting new, and wacky, places to live, Lucy decides she must get her puppet back. Upon stealthily re-entering the house and seeing the disrespectful actions of the four-legged fiends, Lucy resolves herself and convinces her family to take back what is theirs. Following is a brave conquest and a surprise twist ending.

This book is yet another amazing creation from author Neil Gaiman and illustrator Dave McKean. Gaiman’s writing is skillful and flows well, despite the twisted tale he is weaving. McKean’s illustrations compliment the story perfectly. His mixed media artwork emphasizes the chaotic plotline of this book. On one page you might see a dynamic ink drawing, while the next is a mixed-material collage. This type of artistic style suits the characters and the storyline.

The main character in this story reminds me of some of the Greek heroes. Lucy is not a hero in this story because she is superhuman or is untouched by fear. Her heroism lies in the fact that she experiences fear, terror even, yet steadfastly rises above it. Just as I’m sure Theseus was terrified when he went to slay the Minotaur, Lucy was when she went to win back her home from the wolves. Taking the reigns of her family and acknowledging the importance of allegiance to ones home and ones family, Lucy swallows her fear and accepts the daunting task of winning her stomping grounds back, as well as her puppet.

This story is great, not only for its wonderful writing and ferocious illustrations, but also because it teaches a few important lessons. Children learn that they can be heroes and leaders in their own family units. It was Lucy who first noticed, believed in, and eventually defeated the wolves. This can show children that they too can take active roles in their own lives and in their own safety. Adults can learn to take stock in what their children say. Sometimes we are so swift to dismiss things that children say just because it seems like nonsense or we can’t make hide nor hair of it. Perhaps we need to listen more intently when little mouths speak. I would recommend this book as a read-aloud or read together book with adults and young readers or pre-readers.

It's All About the Hair

2009-08-26T15:36:00.000-07:00

The Witch's Child
by Arthur Yorinks; illustrated by Jos A. Smith
Abrams Books for Young Readers, 2007

The Witch's Child is one of the most seriously creepy children's books I've come across in a good, long while. The illustrations are terrifying; the Witch Rosina's posture drips with menace. The story draws from the fairy tale tradition, a cross between Hansel and Gretel and Pinocchio, and doesn't shy from the dark nature of the form; the result being a tale full of the kind of magic and terror of the true classics.

Rosina is a violent and cruel witch who, on a whim, decides to try creating a child for herself out of spare rags and straw, and bits of her own hair. However, she can't bring the little doll to life no matter how hard she tries, and in a fit of pique turns all the other children to bramble bushes. Finally, Rosina casts the doll aside, to be found later by a young girl named Lina, who rearranges her limbs and treats her with kindness. Rosina finds Lina with her forgotten child, and attacks her with knife in hand. The ending is happy, but it's paid for with a terrible price.

The Witch's Child is by turns stark and hopeful, with the occasional moment of truly off-putting humor thrown in - Rosina's smile is actually worse than her scowl, if you'd believe it. The "life" of the doll is also full of childhood fears, abandonment chief among them. However, the really wonderful part of this story is in the nature of her awakening - unlike Pinocchio, who requires an external conscience and is brought to life by someone else's love, the doll child wills herself into life to protect someone else from her own creator. The message of self-determination is subtle, but empowering.

Don't let the seemingly snuggly cover illustration fool you: this book is one of those really great scary stories that reminds me of why I love horror. Smith's illustrations are downright beautiful; from the first page, even Rosina's posture drips with malicious intent. The curse she lays on the children is captured mid-transformation, as is their eventual return. More sensitive children might be disturbed by the imagery and the content of the story, but, like The Spider and the Fly, and most fairy tales, for that matter, the object is to teach them to have a healthy respect for their own fears and (hopefully) to inspire them to rise above it.

Too Much Strawberry Junky Business

2009-08-24T14:22:00.001-07:00

The Grey Lady and the Strawberry Snatcher
by Molly Bang
Aladdin Papberbacks, ©1996
Four Winds Press, ©1980

The Grey Lady and the Strawberry Snatcher is a suspenseful and delightful picture book. This Caldecott Honor winning wordless picture book follows the Grey Lady’s frightful trek home from the produce market with a pint of fresh, juicy strawberries. Upon leaving the market she is being relentlessly stalked by a greedy perpetrator known only as the “Strawberry Snatcher.”

As the book opens, the reader is instantly attracted to the pleasure upon the Grey Lady’s face as she purchases her strawberries and heads home. However, subtle shading techniques and figurative motifs in Bang’s illustrations foreshadow horrible events to come. For instance, as she is walking out of the door from the market, the shop behind her looks dark and foreboding. Subsequently, as she is heading down the sidewalk on the next page, we see a shocking and sinister face peering around the corner, intent on following her. This is the dark element or the evil figure that just might mean doom for the Grey Lady. He follows her by the shops in town, skateboards after her when she boards the bus, and he continues to follow her into an oddly beautiful swamp, an eerily daunting forest, and finally into a foggy grey clearing where the book reaches a startling climax.

For a wordless book, this story is an engaging page-turner. The rich and textured illustrations employ a vivid color palette which in turn creates a landscape that harnesses the driving energy of the story. The decision to illustrate the Grey Lady as a subtle, soft figure and the Strawberry Snatcher as a bizarre and freakish creature enhances the elements of the story. The Grey lady blends in with the landscape. You get the feeling she has lived in this area for a long time. It is her intimate knowledge of the environment which allows her to outwit her attacker again and again. The strange and colorful appearance of the Strawberry Snatcher illustrates he is an interloper on the local landscape. His fiendish features compared with the deep laugh lines and warm wrinkles of the Grey Lady further demonstrate the dichotomy which is the overall theme of the story: good vs. evil, the honest old lady vs. the devilish thief trying to wrest her most sacred treasure.

The wondrous artistry of this book makes it a triumphant yet spooky achievement. Readers are given the framework for constructing their own imaginative journey. Taking cues from facial expressions, environment, movement, and other illustrative devices, the reader can feel for themselves what emotions are conjured up and decide for themselves how to feel about the book's resolution. This is one of the great things about wordless picture books; there is so much more room for interpretation. The rise and fall of the plot of this book is one that can be appreciated by young and old alike and the pictures themselves can be appreciated for their detail and richness. Overall, I would recommend this book for readers of all ages.

Suspect Hospitality

2009-08-21T07:27:00.000-07:00

The Spider and the Fly
by Mary Howitt, illustrated by Tony Diterlizzi
Simon & Schuster Books for Young Readers, ©2002

The Spider and the Fly is Tony Diterlizzi's delightfully creepy modern reworking of the 1829 cautionary tale by early romantic poet Mary Howitt. "Will you walk into my parlor?" asks the Spider of the Fly; a now-classic opening salvo in a story meant to warn children to be careful and observant of seemingly well-meaning strangers.

Diterlizzi's illustrations are packed with wonderfully subtle, terrible details on every page. The visual narrative is intricate, which adds value to repeat readings - even the wallpaper and curtains are drawn with wry, sardonic humor and a gallows mentality, and grisly easter-eggs abound. Despite the parable quality of the original poem, the anthropomorphized characters re-enforce the depth of horror: this is a story of seduction and murder, and may not be suitable for children who don't already have a fairly morbid sense of humor and a decent conceptual grasp of death.

Reading this book aloud, I found myself drawn subconsciously into imitating the sonorous, gravelly voice of Christopher Lee - the softly glowing font demands as much. The Spider, with his dangerous, rolling eyes and oily smile, channels Vincent Price, one of the kings of silent horror, and the Fly is reminiscent of Greta Schröder and Louise Brooks. Naturally, these details will be lost on young readers, but it's never too late to introduce these classic gems to your burgeoning horror afficionado's repertoire.

If the name sounds familiar, that's because Tony Diterlizzi is the co-creator of the Spiderwick Chronicles with another author of gothic children's stories, Holly Black (whose work will inevitably be reviewed here as well). Geekery: Diterlizzi got his start with gaming company TSR, working on Dungeons & Dragons books, and moved on to Magic: the Gathering when TSR was bought out by Wizards of the Coast. There's also a fascinating picture of former First Lady Laura Bush reading The Spider and the Fly on the illustrator's wikipedia page.

Enter if You Dare

2009-08-17T17:42:00.000-07:00

56 Water Street

by Melissa Strangway

56 Water Street is a startling and mysterious book. Designed for young mystery readers and ghost hunters, the book follows the events surrounding a spooky abandoned house and two ten year old friends, Derek and Ravine.

Nobody in town talks about the rambling, weather worn house at 56 Water Street. This is truly bizarre, because strange stuff is happening. The book opens with Derek and Ravine noticing the lights flickering on and off in the long abandoned house. Feeling frightened and concerned, the children rush home to tell their parents only to shockingly discover their parents say there is no house at that address. Eventually, the children find out they are the only ones who notice the house and the strange happenings inside. To the rest of the world, 56 Water Street is a vacant lot with a sordid past.

Derek and Ravine need to find out why they are the only ones able to see the house at 56 Water Street. What does it mean that they can see it and others can’t? They slowly take more chances to investigate and actually enter the house, learning that time stands still for them when they enter the premises. Even more bizarre then the house itself, there is a supernatural force compelling them to become involved with the house. This force enters their dreams and thoughts and compels them to return to the house again and again. It is as if somebody or something is trying to get their attention and trying to give them a message from the other side.

With the help of a fortune teller, who is actually a self proclaimed spirtit medium, Derek and Ravine come to acknowledge that they too have a special gift. Similar to Cole in the Sixth Sense, Derek and Ravine have a sensitivity to dead people who are trapped on earth. It is this sensitivity that allows them to see and enter 56 Water Street and to realize that the resident ghost on the premises needs their help before she can finally rest in peace. Accepting the spooky task the universe has laid at their feet, the children venture once again into the house to help the ghost solve the sorrowful mystery that is keeping her spirit form bound to the house. What follows is a spine-tingling and eerie adventure with an uplifting and hopeful ending.

This book is a sound example of a middle grade mystery. The protagonists are relatable and you are able to become attached to them, particularly Ravine. Her façade of strength and courage is obviously only a thin layer attempting to cover over a very tortured soul. Since she has suffered from her own recent tragedy, it makes sense why she is perhaps more in tune to other spiritual realms. Ravine’s tragedy and the ghost’s dilemma in 56 Water Street create a very melancholy undertone in addition to all the chills and surprises of the mystery in the book. The pain in this book is palpable and it strongly evokes the emotional sensibilities of the reader. I would recommend this book for those who are looking for a tingling paranormal mystery.

Ew, Yuck, Repeat

2009-08-12T12:41:00.000-07:00

Peeps
by Scott Westerfeld
Razorbill, ©2005

Peeps is Scott Westerfeld's attempt to create a vampire book that is "new and interesting, while still being full of bitey goodness". Short answer: he succeeds. In all of his novels, Westerfeld weaves the culture into his storytelling, and this is no less true of Peeps.

Cal Thompson has spent the last year of his life hunting down every girl he's kissed for the last year, ever since he was infected with a disease that turns ninety-nine percent of those who catch it into crazed, cannibalistic recluses who fear the sun and everything they ever loved. Cal himself is one of the "lucky" ones, made stronger and faster by the disease, but at the cost of becoming a carrier - infecting everyone he comes into intimate contact with the disease.

To make his life even more difficult, the parasite causes carriers to become more intensely attractive and easily attracted to others in order to spread itself more effectively. Even worse, Cal is tasked with finding his progenitor, the girl who gave him the disease in the first place, before she can spread the disease to others. Unfortunately, there are things more terrible than vampires in the depths of the City, and his search seems to be taking him directly into their path.

By grounding his story in scientific realism and evolutionary theory, Westerfeld makes his story much richer than your average modern vampire fare. Rather than relying strictly on tired emotional stereotypes and vague, worn-out mythologies, he infuses the genre with warm, freshly oxygenated blood. Try not to groan too hard...

Westerfeld presents a unique twist on the vampire mythos, deeply grounded in our own reality, with its parasites and diseases infinitely more terrifying than anything the author could have made up himself. What's really great about this book is that Westerfeld recognizes this fact, and uses it to make his own story more interesting and icky. Told through the voice of Cal, every other chapter is actually a brief description of the life cycle of some horrible real-life invisible parasitic monster or other. The result? Believable, scary, dynamic vampires and a story grounded in thoroughly modern sensibilities: plus a readership left with a healthy terror of ants, rats, cats and tropical rivers. (ewww!)

Another great aspect of Scott Westerfeld's writing is his fluency with modern language; he has a knack for lending a sinister twist to the everyday vocabulary of the under-thirty set. Cal Thompson, the narrator, is a typical (if geeky) nineteen-year-old boy surrounded by other college-age characters, all living on their own in a real life city; you never doubt this, because all of Westerfeld's characters and places sound exactly like what they're supposed to be. Without crossing into gratuitous descriptiveness, the novel also doesn't flinch from real-world sexuality and emotional complexity. Written with wry humor and a mild obsession for the bizarre and terrible, Cal's pains, fears and attractions are accessible and real.

The Dead Rose From Their Graves

2009-08-08T09:00:00.000-07:00

In Wake the Dead, Henry is having a loud day. He is so loud in fact that his entire family warns him his rowdy, boisterous behavior will “wake the dead.” Ignoring their warning, he keeps up his wild ruckus throughout the house. Well, lo and behold, guess what? He wakes the dead! So rudely awakened, the reanimated corpses crawl out of their coffins and peel themselves from their graves to find the source of the racket.

In a delightfully disturbing slapdash adventure, the zombies, in drop dead gorgeous designer fashion, make their way across town tracing the noise to its source. With many stops along the way, such as at the library (“I expect dead silence in here!”), city hall (nothing but “skeletons in the closets”), and the community pool (“awesome dead man’s float!”), the formerly breathing set finally sense the noisemaker “dead ahead.”

When the zombie crew meets Henry face to face in the field, he is very eager to rectify the situation. After failed attempts to get things back to the status quo, i.e., corpses resting peacefully below ground or in their mausoleums and little boys playing with their dogs without fear of the zombie invasion, Henry finds the perfect solution to whisk the corpses off to dream land. In the end Henry learns his lesson and I bet he will be a bit more mindful when his folks ask him to keep it down.

The illustrations in this book are quite kooky, with an etching-like appearance, particularly on the darker hues. Given the subject matter of zombies raising from the grave, the author and illustrator make a quality synthesis of text and images to reflect the target audience of this book. The linguistic style of the book relies heavily on wordplay and the pun. The pun, despite your feelings about its use in conversation, when used in story, is a great way for children to experience different meanings in language and to experiment with the versatility of words. The silly scenarios in the book are bound to evoke a few giggle fits, in young and not so young alike. I really appreciated the fanciful and lighthearted approach the author took in this book and found it to be very effective in the creation of a quality picture book. Overall, this book is a delight and it is the perfect choice for a little one that is looking for something a bit more macabre than the standard fare.

Snicket Goes to the Orchestra

2009-08-07T11:39:00.000-07:00

The Composer is Dead
by Lemony Snicket
HarperCollinsPublishers, ©2009

Lemony Snicket's newest masterpiece, The Composer is Dead, serves multiple purposes. Taking the format of a murder mystery (guess who the victim is!), the book serves first as a fantastic introduction to the parts of an orchestra, individually and as a whole. It is also an excellent primer in Snicket's signature brand of dry wit and macabre sensibilities.

The Composer (now decomposing) had died, and it is left to the Inspector (who is suspiciously autobiographical) to determine who was the culprit, and find them wherever they may be lurking. He then interrogates each section in turn, beginning with the violins and moving right through strings, woodwinds, brass and percussion. Each instrument, though, gives an alibi, until the Inspector reaches the Conductor himself, and discovers to his horror that "dead composers litter the musical world...". The entire orchestra comes to the Composer's rescue, however, with a revelation both shocking and hilarious (depending on your constitution).

One of the neat parts of this book is the CD that comes with it. In the first half of this, Lemony Snicket reads the story aloud with orchestral accompaniment composed by (still living) Nathaniel Stookey. The second half is just the music, without Snicket. As each instrument is interrogated, it is heard in the background, so that the second half of the CD can be used to help children learn to identify each instrument by sound.

The artwork in this book is somber, and a little bit retro; the color palette is reminiscent of 70's "Sesame Street", all faded earth-tones which could be friendly or tiring, depending on your tastes. Of course, that's probably the point - the Snicket books have always challenged the sensibilities of the young, glowing and lively, and are best suited to the underage curmudgeon-in-training.

Sanitary Friends

2009-08-05T12:41:00.000-07:00

The Soap Lady
by Renee French
Top Shelf Productions, Inc., 2001.

The Soap Lady is an outlandish, heartwarming story of friendship, hope and sanitation, written and drawn by Renee French.

The story opens as the Soap Lady rises gently from the sea in a disconcerting parallel to the birth myth of Aphrodite. She is a lumpen, shambling horror; a bloated and dessicated body supported by skeletal legs, with a skull for a head. She meets Rollo, a young boy who can't seem to stay clean, and the two become instant friends. When the villager adults discover her presence, however, she is driven back into the sea, but not before leaving Rollo with a truly disturbing parting gift to remember her by.

Renee French's artwork consistently straddles the border between the uncomfortable and the charming, evoking the ticklish morbidity of Edward Gorey and the visual social criticism of Jhonen Vasques. However, French's imagery is much softer and more soothing than Gorey's, and far less frenetic than Vasques'. Moments that would be revolting if they were handled by any other artist become touching and somewhat sweet in this book... until you realize what exactly just happened. The beauty of The Soap Lady is in French's deft balancing of themes of loving friendship and rising horror.

According to a short blurb in the back of the book, the story was inspired by the real-life discovery of a corpse in a Philadelphia cemetery whose fat had turned to adipocere (aka grave wax) after burial. Adipocere derives from adipose - the multi-function substance found throughout the human body which builds up in excess in obese people.

For those of geek persuasion: you may also remember that the Tenth Doctor faced down an army of adorable Adipose aliens with Donna Noble in the first episode of the fourth series of Doctor Who. Apparently, there's just something about this substance that makes us giggle (and wiggle), even as we're horrified by it.

It says: “live people ignore the strange and unusual.”

2009-08-04T19:49:00.000-07:00

I myself am…strange and unusual. My propensity for oddness and, some might say, questionable behavior, interests, and inclinations, began in the summer of 1984. I’m told I was a precious two year old, except one of my aunts was certainly frightened of me. You see, I used to growl at her. Nobody else. Just her, always her, never anything but...the growl. If she came within a certain range of where I was standing, sitting, or being held, I would emit a deep throaty growl. It is my theory that whatever caused this little quirk is also what is responsible for me blazing my trail through the darker side of the trees.

I was born and raised in a small town in the extreme northwestern part of the Upper Peninsula of Michigan known as the Copper Country. I could do the ‘hands thing' if you ever bump into me face to face, but for now, you’ll have to wait with bated breath. An isolated rural life, particularly in an environment that has a rich and colorful history, tends to be fertile ground for the imagination. From a young age I’ve been a make believer. Trees that tell you where to find buried bones, secret portals to other worlds through the red security light on the lamppost at the end of my street, Freddy Krueger (complete with a red convertible!) living in the abandoned copper mill site beyond the cedar trees by my house, and the Devil’s brother jumping in my dad’s underwear on the clothesline are just a few of the yarns I used to spin for myself and others.

Along with ‘playing pretend’ and storytelling, I fell deeply madly in love with reading. The stranger the better. The more the scarier. The strict librarian at my school wouldn’t let me check out the scary books when I was in grade school without a permission slip from home. Thanks be to my hippie mom for happily signing the slip.

Years later, I still feel a lot like that same little girl. I still growl a little. I still walk on that dark side a smidge. As a children’s librarian with the DC Public Library system, I still have the same love of books, reading, and sharing stories. I hope to contribute to this blog by reviewing books you may have heard of and those that are easily borrowed from your local library. Beyond that, I hope to come up with some obscure titles that you may need to scour the used book shops, second-hand book sites, or your uncle’s basement (tell him its not good to keep his books there) to find. Despite the fact that this blog has a specific target audience, I think we can all benefit from it. Can’t all of us use a little dash of strangeness? Don’t we all get in the mood for a good scare?

Welcome!

2009-08-03T16:51:00.000-07:00

---Enter if You Dare...

This is a blog for the strange at heart, children and adults, who share a love of books bizarre, scary, terrifying, odd and, well, spooky! We'll review books for children and young adults in a number of categories, including horror, science fiction and fantasy, and over time hope to develop a list of recommended reading for parents, children and teens. Of course there are a lot of things we'll figure out as we go along, and we welcome your suggestions!

---Why, Dear God Why?!

The idea for this site came as the result of a request from a good friend, who wanted help coming up with a reading list for three kids who share their mother's taste for (and pride in) the strange and unusual. I found it refreshing to see her sharing her passion for the bizarre with them, and realized that it would be great to see a resource for the next generation of horror enthusiasts; the ones not old enough to read hard-core scenes of evisceration but still get a rise from that tingling sensation that crawls up your spine when you enjoy a good scare, and the teens who come into the library, always asking for the latest books about vampires, ghosts and witches.

Essentially, younger versions of myself. Isn't that a terrifying thought?

---Who are You, and What are You Doing in My House?

I am a horror enthusiast and aspiring writer living in Washington, DC. I work in the public library system and am a full time student at the University of Maryland. I've written a number of short stories, two of which appeared in the 2006 edition of the TCC Channelmarker. Also, one of my plays has been performed onstage at the Alt Theater in Buffalo, NY. In my spare time... wait, I don't really have any spare time; nevermind!

---What's Around that Corner?

The future of this blog is a mystery. Over time, I hope to develop a regular posting schedule, and add a few helpers to get things moving. That said, your comments, critiques, arguments and suggestions are more than welcome. Comments will be moderately lightly for content (this is a blog about children's books, after all), but otherwise, please share feedback so I can improve the site in turn.

Thank you for visiting, and reading this, and I hope to see you all again... very soon.....